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December 17, 2018, 9:06

Can Artists Organize? The Story of WAGE |

In 2016, the multidisciplinary artist Devin Kenny’s work was screened in a video program at the Museum of Contemporary Art, Los Angeles, and Hito Steyerl, one of the show’s more established artists, forfeited her...

The Twenty-Five Most-Read New Yorker Stories of 2018 |

As The New Yorker continues to evolve and expand, particularly online, the editors here spend a not-insubstantial amount of time thinking about its identity. What makes The New Yorker, well, The New Yorker? As...

Review: Lars Von Trier’s Empty, Repugnant Provocations “The House That Jack Built” |

Pull your pants down in public, you’re an exhibitionist; pull someone else’s down, you’re a sadist; pull someone else’s down and talk about it, you’re a moral philosopher. That’s the mantle that Lars von...

How Rob Marshall Made Mary Poppins Sing Again |

The director Rob Marshall has been working on the following problem for roughly two decades: How do you get modern audiences to dig movie musicals, a genre that laymen associate with Judy Garland, jazz...

Van Morrison Discusses How Music Used to Be More Spontaneous and Communal |

Between 1968, when Van Morrison released the intensely lyrical song cycle “Astral Weeks,” and 2016, when he released the alternately spry, contemplative, stubborn, and spiritual “Keep Me Singing,” the Northern Irish singer-songwriter put out...

“The Mule,” Reviewed: The Personal and Political Passions Behind Clint Eastwood’s New Crime Drama...

To the best of my knowledge, Clint Eastwood has never taken part in a drug deal, or ever committed any offense at all, besides talking to the empty chair and praising Donald Trump. Nonetheless,...

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